I have a body of work in my studio that I am cleaning up and getting ready to distribute to galleries again. This painting has been an obsession and as you can see many hours has been poured into it.
I took this out of the frame last November to make some adjustments. Now that it is back in my studio, I see more things I want to do. When a painting is away and not in my sight for awhile, I see it with fresh eyes.
There is a stark, ragged, white reflective highlight, that now looks like a torn piece of paper that is stuck on the painting. This is the wrong shape and needs to be softened.
I am serious of about deleting My husband's face. This could be a case where the artist is saying too much. With my daughters face remaining a mood of mystery will still remain.
The goal is to make this work a stronger painting. I am hoping that I still have the lighthouse lens photos in my file here. It will be best to look for them before I take the painting out of the frame. If they are in Missouri I will leave the painting here and my pile of 'what to bring on my return to Florida, will be started.
Note to self: Create a file for reference material of finished work, but not sold. This I should carry back and forth between my two studios. Then there should a separate file for finished and sold paintings.
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